Publications

2026, 'Home,' Eunoia Review

2025, Salt upon the Water, Wakefield Press 

2025, 'Proudlock, Caruso Anthology, Dragonfly Press

2023, ‘South,’ Riverstone Lit

2022, ‘Inheritance,’ Mascara Literary Review, ‘Resilience’ Anthology

2022, Co-Editor, Liminal, 'Haunt' anthology

2022, ‘Kamila Shamsie’s Best of Friends is an affecting novel of friendship, power and ethics,’ The Conversation

2022, ‘Unfinished Business,’ Meniscus Journal

2022, Review of Daisy and Woolf, Kill Your Darlings

2021, ‘Border Lines,’ Sūdō Journal

2021, ‘Saffron Moment,’ Raining Poetry in Adelaide, University of Adelaide.

2020, ‘Partir,’ Litbreak Magazine

2020, ‘Intertidal,’ StylusLit, Issue 7

2019, ‘Aquaman is the Mixed Race Movie We Didn’t Know We Needed,’ in Film on Medium

2019, ‘Threshold,’ Raining Poetry in Adelaide, University of Adelaide.

2015, ‘The “Shattered Racialised Person” and (Post)multiculturalism in Australia,’ in J.Wilson, O. Laursen, P. Malreddy and B. Heidemann (eds), Reworking Postcolonialism: Globalisation, Labour and Rights, Palgrave Macmillan.

2013, ‘The White Road,’ Sydney University Student Anthology, University of Sydney Press, 180-187.

2013, ‘White Gloves and Pomegranates,’ Sydney University Student Anthology, University of Sydney Press, 1-16.

2011, ‘Scarborough Funeral,’ Hill Magazine, Issue 4.

2011, ‘Transcultural Horizons and the Limitations of Multiculturalism in The World Waiting to be Made,’ Australian Studies

2010, ‘Being Eurasian Australian,’ Yemaya: voicing women’s ideas and images, Sydney University Law Society

2009, ‘Marginalising Multiraciality in Miss Saigon: An Analysis of Print Media’s Effects on People of Mixed Race,’ Global Media Journal: Australian Edition

2009, ‘Fragmenting Feminism and the Familiar: The Death of the Universal Woman and the Process of Peace,’ Antithesis, 182-195.